271,824 research outputs found

    Sheep and goats:manipulating visual perception through colour relationships

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    Sheep and Goats hides visual messages in plain sight. It is a print diptych which investigates the idea that artwork can be intentionally created to be experienced differently dependent on one’s visual abilities. Each silk-screened/ink-jet print is 84 cm x 112 cm. It is accompanied by a smart device fitted with augmented reality colour vision deficiency simulation and recolouring software. The collaboration of artist David Lyons with computer scientist David Flatla resulted in prints which communicate unique details exclusively to those colour blindness, while simultaneously containing imagery that those with typical colour vision experience. This was done through the use and understanding of colour theory, artistic principles and computer science applications. All the artwork is revealed to both audiences through the use of tablets whose software allows the translation of the imagery between the two audiences. The tablets with CVD simulation and recolouring software allow those with typical colour sight to view what those with colour blindness see, and those with colour blindness to gain an appreciation of what individuals with typical sight see.To indicate engagement of audiences of varied colour vision abilities, Triple Blind reference the circles of the Ishihara Colour Blind Test. The dualistic words ‘heaven’ and ‘HELL’ are used to suggest conflicting perceptions as are the clear varnish over-printed lyrics from the song “Sheep go to Heaven’ by the rock band Cake. This paper documents the development of the work, its theoretical underpinnings and artistic and social and philosophical implications

    Defective Colour Vision

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    Zadatak je autora da na jednome mjestu sistematiziraju sve kolorne poremećaje – diskromatopsije te dijagnostičke metode i testove. Vrlo često smo svjedoci neadekvatnom i neispravnom dijagnosticiranju kolornih poremećaja u kliničkom radu. Smatramo da neadekvatno i nesistematski prikazana problematika kolornog vida u literaturi, neinformiranost o odabiru metoda i testova, načinu rada i interpretaciji dobivenih rezultata samog testiranja za svaki pojedini kolorni poremećaj doprinosi krivoj dijagnozi diskromatopsija. S obzirom na to da se osim u oftalmologiji i neurologiji vrlo često ispituje kolorni vid i u ordinacijama medicine rada, nađene diskromatopsije treba staviti pod nadzor oftalmologa kako pojedinac ili grupa ne bi bili oštećeni u odabiru zanimanja ili sličnoga krivom interpretacijom rezultata testiranja. Shvaćanje ozbiljnosti problema i informiranost unaprijedit će strategiju ispitivanja kolornog vida i dati važnost što ranijoj detekciji s ciljem ublažavanja posljedica za pojedinca i za društvo. Budući svakodnevnost ispitivanja kolornog vida nije najbolje definirana ni po načinu ni po uvjetima rada, potrebno je stvoriti jedinstvene kriterije kod dijagnosticiranja svakoga pojedinog kolornog poremećaja u čemu bi trebao pomoći ovaj članak.This review gives a summary of all colour vision disorders (dyschromatopsias) and diagnostic methods and tests. Colour vision is inadequately treated in current literature with regard to the choice of diagnostic methods and the interpretation of results for a single disorder, which contributes to wrong dyschromatopsia diagnosing seen every day in specialist practice. Examination for colour disorders is usually outpatient and is carried out by ophthalmology or neurology departments or occupational health services under the supervision of an ophthalmologist to prevent misinterpretation of results and wrong occupational choices. The problem is very serious, and proper education should be able to provide guidelines for correct and early diagnosis of dyschromatopsia. As the examination is not well defined, it is very important to set unique criteria in diagnosing any single colour vision disorder

    Object knowledge modulates colour appearance

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    We investigated the memory colour effect for colour diagnostic artificial objects. Since knowledge about these objects and their colours has been learned in everyday life, these stimuli allow the investigation of the influence of acquired object knowledge on colour appearance. These investigations are relevant for questions about how object and colour information in high-level vision interact as well as for research about the influence of learning and experience on perception in general. In order to identify suitable artificial objects, we developed a reaction time paradigm that measures (subjective) colour diagnosticity. In the main experiment, participants adjusted sixteen such objects to their typical colour as well as to grey. If the achromatic object appears in its typical colour, then participants should adjust it to the opponent colour in order to subjectively perceive it as grey. We found that knowledge about the typical colour influences the colour appearance of artificial objects. This effect was particularly strong along the daylight axis

    The reading of tajweed in surah Yaasin for red-green colour vision deficiencies / Siti Sarah Adam Wan … [et al.]

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    Colour Blindness or colour vision deficiency are difficulty to see certain colour and shade depending on their type of colour blindness. Generally, there are 3 types of vision deficiencies - protanopia (red-green), deuteranopia (green-red) and tritanopia (blue-yellow) (NEI, 2015). There are close to 300 million people around the world who are suffering from colour blindness. From that figure, 8% men and 0.5% women are suffering this vision deficiencies (Ng, 2017). Many people think people who are suffering from colorblindness are enable to see any colours. Their perception on those people can only view black and white in daily life. However, their judgment is wrong and science has proven colour vision deficiencies can see colours (Flück, 2006). Most common forms of colour vision problems are inherited (genetic) and are present at birth.However,in some cases, a person can have an acquired colour vision problem. Thus,it is caused by aging, eye problem, injury on eye, alcohol misuse, or a hard injury on head (Flück, 2006)

    Pinget et le matériau onomastique

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    Colour vision plays a foundational explanatory role in the philosophy of colour, and serves as perennial quarry in the wider philosophy of perception. I present two contributions to our understanding of this notion. The first is to develop a constitutive approach to characterising colour vision. This approach seeks to comprehend the nature of colour vision qua psychological kind, as contrasted with traditional experiential approaches, which prioritise descriptions of our ordinary visual experience of colour. The second contribution is to argue that colour vision does not constitutively involve the ability to see colours, in a natural and categorically committed sense. I argue that two subjects exactly alike in respect of their constitutive colour vision abilities could differ in respect of whether or not they have categorical perception of colour. The argument is supported by thought experiment and dissociations observed in cognitive neuropsychology. The argument also bears connections to recent neo-Whorfian accounts of colour categorisation

    Colour constancy in dichromats and trichromats: dependence on task

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    An important topic in the field of colour vision is the impact of colour vision deficiencies on daily life tasks. Investigating the extent to which colour constancy (i.e. the ability to recognise surface colour under different illuminants) is preserved in colour vision- deficient observers can provide us with insight into the nature and function of trichromatic colour vision. The first chapter of this thesis provides a summary of the very basics of colour vision, colour vision deficiencies, as well as colour constancy. Studies conducted on the colour constancy abilities of colour-vision-deficient observers versus those with normal colour vision are reviewed. The second chapter presents and reports the aims and methods of the proposed experiment (which could not take place due to the COVID-19 pandemic). This experiment investigated the colour constancy abilities of trichromats versus dichromats using two different colour constancy tasks (2D achromatic adjustment vs. 3D blocks-copying/selection task) and aimed to show how colour constancy depends on observer type as well as task type. The third chapter comprises of a computerised simulation. This simulation aimed to model the colour constancy of “ideal” observers when presented with various surfaces and illuminants. These observers involve simulated normal trichromats, anomalous trichromats and dichromats. A variety of yellow, blue, green and red illuminant shifts (from neutral daylight) were used, and surface chromaticity and observer types were compared. Overall, whilst no three-way interaction between illuminant shift, surface chromaticity and observer type were found in the simulation, strong main effects were found. It is suggested that a combination of simulated and experimental research is needed to understand the colour constancy mechanisms underpinning dichromacy and trichromacy at multiple levels (cone-based, cognitive and computational)
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